| 2007 Participating Institutions |
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| 196. These two oils are by Josef Israëls (1824-1911). Israëls was born in Groningen in the Netherlands. It was not until he reached 16 years of age that he first went to Amsterdam, where he traveled to study with the master Cornelis Kruseman. In 1845, Israëls went to Paris, where he stayed for three years. His main teacher in Paris was Francois Edouard Picot. Israëls established his reputation at the Parisian salons during the 19th Century, achieving great acclaim, numerous medals and awards, and the Officier de la Legion d'Honneur. He received First Prize at both Expositions Universelles in 1889 and 1900. Israëls is often considered to be one of the most important Dutch artists of the Nineteenth Century. His style and subject matter influenced countless artists including Van Gogh. His paintings are in the permanent collection of museums worldwide, including the national collections in Amsterdam, Dordrecht, Groningen, The Hague, Montreal, Moscow and Rotterdam. These two panel paintings are owned by Calvin College, Grand Rapids, Michigan. | |||||
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| 197. The Oshkosh Public Museum is the owner of this Commemorative Memorial to Captain James Stuart. Stuart fought in numerous Civil War battles for Company B, 21st Wisconsin Volunteer Infantry. Note the similarity to the memorial to General George Thomas on the previous page. |
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| 198. The West Bend Museum of Art has recently changed its name to the Museum of Wisconsin Art, a move that better reflects the focus of the museum's collecting instincts centering on 19th and 20th Century Wisconsin regionalist artists. The institution is still under the direction of Mr. Tom Lidtke. These three oils represent images from this new focus. | |||||
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| 199. The Muskegon Museum of Art is the owner of these four oils and represent some of their fine American Impressionist works. The left image is by Jonas Lie (1880 -1940). Lie became one of the best-known American landscape painters in his lifetime. A the age of 13, he arrived in New York and began his art training. Lie was one of the founders of the Armory show in New York. He is best known for his colorful impressionistic scenes of harbors and coves. These were largely painted during the many summers he spent on the coasts of New England and Canada. The right image is by Charles Davis (1856-1933). Davis went to Paris in 1880 and studied at the Academy Julian. His work is represented in most of the leading museums throughout America including the Metropolitan Museum, the Museum of Fine Arts, Boston and the Art Institute of Chicago. | |||||
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Jonas Lie "The Quai" |
Charles Davis "In April" 1911 |
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| Willem Maris (1844-1910) was a landscape artist best known for his pasture scenes in hazy morning light, often including cows and ducks. Maris came from a family of artists including two brothers. In the 1860s all three shared a studio in The Hague. He was a contemporary of Josef Israëls, pictured at the top of the page. The wonderful image on the right is a portrait of Chief High Pipe by Elbridge Ayer Burbank (1897-1910). Burbank was a Chicago portraitist who initially trained in Munich. Between 1897 and 1910 he created nearly 1,000 oil portraits of Native Americans, the largest collection of its kind. | |||||
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Wellem Maris "Milking Time" |
Elbridge Burbank "Chief High Pipe"
1903 |
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| 200. Ox-Bow is a school of art and artists' residency and has served as a haven for visual artists since 1910. Through its affiliation with the School of the Art Institute of Chicago, Ox-Bow offers one and two-week courses for credit and non-credit for beginning, intermediate, and advanced students. Founded by Frederick Fursman and Walter Marshall Clute, artists from the Art Institute of Chicago, Ox-Bow was to serve as a respite for artists from the industrializing havoc of Chicago. The left image is an important piece from their collection and is by one of their founders, Frederick Fursman (1874 -1943). His early training included work at the at the Academy Julian in Paris and in Chicago at the Art Institute. He is best known today for his warm Impressionistic palette. The right image is by Edith Hammond., also an American Impressionist artist. | |||||
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Home, Page 41, 42, 43 |
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