| Introduction | |||||
| In the Summer of 2004 I realized how little I knew about WWII, a war my father had fought in but never talked about. My only evidence that he was actually there was the fine charcoal portrait a German war prisoner had drawn of him. The mute image ornamented a wall in our home my entire youth and now it graces one of my walls. My mother, so effected by the conflict, wouldn't buy German products. For some unexplainable reason I felt I had to learn about the war and Adolf Hitler. | |||||
| I decided to read Mein Kampf. Well before the war, Hitler was very clear about what he would do if he came to power. To understand the Nazi era I turned to William Shirer's, The Rise and Fall of the Third Reich, a book so captivating as to evaporate time. At this very moment, I received a call from Mr. Joe Brunson, Curator of the WWII Victory Museum in Auburn, Indiana. Joe asked if I would be willing to help the museum in the restoration of a portrait of Adolf Hitler. | |||||
| A man so despised in my parent's home was now venturing into my home, but conservators don't get to choose the paintings that come to them. I have always felt that a certain Hippocratic Oath was part of my field. One painting is not preserved over another. There aren't two lines. History can not be sanitized. I have researched the painting to understand the impact of the Third Reich on this artist and on art in general. I ask the reader to adopt this historical perspective. | |||||
| Navigation | |||||
| At the bottom of each page a link will open the next page. Earlier pages can also be referenced. To return to the Main menu click Participating Institutions along the left frame. | |||||
| Table of Contents | |||||
| Page 1: Biographical History | |||||
| Adolf Hitler | |||||
| Heinrich Knirr | |||||
| Page 2: Examination | |||||
| Stretcher | |||||
| Gesso | |||||
| Canvas | |||||
| Description | |||||
| Paint | |||||
| Surface Film | |||||
| Page 3: Treatment | |||||
| Consolidation | |||||
| Cleaning | |||||
| Edge-Lining | |||||
| Filling | |||||
| Varnishing | |||||
| Retouching | |||||
| Completion | |||||
| Page 4: Art Historical Considerations | |||||
| Hitler and Art | |||||
| Heinrich Hoffmann | |||||
| The Große Deutsche Kunstausstellung | |||||
| Artistic Environment | |||||
| Page 5: Knirr Portraits of Hitler | |||||
| 1935-1936 | |||||
| 1937 | |||||
| Page 6: Knirr Portraits of Hitler | |||||
| 1938-A Re-examination | |||||
| Stretcher | |||||
| Medals/Tie Pin | |||||
| Flower | |||||
| Signature | |||||
| Underdrawing | |||||
| Overview | |||||
| Page 7: Knirr Portraits of Hitler | |||||
| 1938 | |||||
| 1939 | |||||
| Breakthrough | |||||
| In Conclusion | |||||
| Page 8: Final Considerations | |||||
| Other Knirr Portraits of Hitler | |||||
| Goering's "Portrait of Hitler" | |||||
| 1940 | |||||
| Page 9: Acknowledgments | |||||
| To the Reader | |||||
| Home, Page 1 | |||||